Glitch art, as a visual genre, utilizes digital errors, corruptions, and technological defects as tools for creating new aesthetics. Rosa Menkman, a prominent artist and theorist in this field, challenges the boundaries of visual perception by focusing on digital accidents and visual distortions. 0:00 /1:30 1× The exhibition
Conferences and Exhibitions
A celebration of glitch aesthetics and digital culture! Discover highlights from the book launch event, featuring panel talks, artist discussions, and more.
Conferences and Exhibitions
Geometry of Creation: Analysis of Anti-Rhythmic Structures | Video Art Group Exhibitions | Group Exhibition: The Geometry of Creation – Anti-Rhythmic Structures The group exhibition The Geometry of Creation: Anti-Rhythmic Structures was held on September 27, 2024, at Ivan Gallery in Tehran, featuring 44 video art pieces by international artists. According to the
My Glitch Videos Art ; The Perplexity My Glitch Videos Art ; The Gray Hole Art Impact International Exhibition 2022 My Glitch Videos Art ; The Perplexity The Gray Hole ________ The 3D Virtual Gallery-Exhibition Space _________ https://artspaces.kunstmatrix.com/en/exhibition/9469323/ urbanization-and-health-international-art-exhibition
Notion-Motion Exhibition It's an honor be a part [email protected] "Notion-Motion " London Exhibition. ________ Preview:Friday, 22 October | 19:30-22:00 Exhibition: 33-28 Oct 2021 | 11:00-17:00 Address: 21-31 Shacklewell Ln, London E8 2DA ______ https://www.theholyart.com/journal/ notionmotion ______ Nazila Karimi - Raised and
MODUS Exhibition It's an honor be a part of @theholy.art "Modus" London Exhibition. _________ Preview:Friday, 5 October | 19:30-22:00 Exhibition: 11-6 Oct 2021 | 11:00-17:00 Address: 21-31 Shacklewell Ln, London E8 2DA __________ https://www.theholyart.com/journal/ notionmotion _________ Nazila Karimi - Raised and
nazilakarimi_ So honored that my video glitch art "Perplexity"has been selected for Rome International Art Fair 2021 exhibition among other talented artists. ________ Organised by @itsliquidgroup Curator @lucacurci Project manager Giulia Tassi _________ VENUE Medina Art Gallery @medinaroma.arte Via Angelo Poliziano 32-34, 00184, Rome, Italy November 20-December 03,
Glitch art, as a visual genre, utilizes digital errors, corruptions, and technological defects as tools for creating new aesthetics. Rosa Menkman, a prominent artist and theorist in this field, challenges the boundaries of visual perception by focusing on digital accidents and visual distortions. 0:00 /1:30 1× The exhibition
A celebration of glitch aesthetics and digital culture! Discover highlights from the book launch event, featuring panel talks, artist discussions, and more.
Introduction Dive into our in-depth conversation with Nazila Karimi, the author of *"Glitch; The Language of Pixel."* Discover her journey into glitch art, the challenges of introducing this digital genre in Iran, and her insights on the impact of glitch aesthetics on contemporary art and creativity. Lead Nazila
The Book Launch Ceremony for “Glitch; The Language of Pixels” This book, authored by Nazila Karimi, delves into the fascinating world of glitch art—a contemporary art form born from digital and electronic disruptions. It explores the history, aesthetics, and techniques of glitch art, examines its significance in the post-digital
Negatives from Another World Visual art has always sought to represent reality, yet within this pursuit, the negative space of an image is just as significant as what is captured. Negatives from Another World is a collection that explores the concept of inverted imagery, unseen spaces, and what lingers in
0:00 /0:51 1× This project documents my efforts to delve into the unknown depths of my nature, striving for self-awareness and peace. The images, walls, spaces, light, and darkness are all products of this personal journey. * Concept and Aesthetic Choices, * I utilize black and white photography to emphasize:
Introduction Dive into our in-depth conversation with Nazila Karimi, the author of *"Glitch; The Language of Pixel."* Discover her journey into glitch art, the challenges of introducing this digital genre in Iran, and her insights on the impact of glitch aesthetics on contemporary art and creativity. Lead Nazila
The Book Launch Ceremony for “Glitch; The Language of Pixels” This book, authored by Nazila Karimi, delves into the fascinating world of glitch art—a contemporary art form born from digital and electronic disruptions. It explores the history, aesthetics, and techniques of glitch art, examines its significance in the post-digital
ARTWORK DESCRIPTION What really makes up the human body? The body that is with us all our lives is always changing. our cells die and are replaced by new ones at an astonishing pace. Our bodies are made of stardust, the burned-out embers of stars that were released into the
Artist Biography Nazila Karimi, From Iran, Tehran Nazila Karimi is a graduate in Architecture and Art Research from Azad University, who works in the field of digital arts. Moreover, she researches, translates and writes books and articles, as well as creates video art in this area. She has started her
Artist: Karimi Nazila Artist Biography Nazila Karimi, From Iran, Tehran: Nazila Karimi is a graduate in Architecture and Art Research from Azad University, who works in the field of digital arts. Moreover, she researches, translates and writes books and articles, as well as creates video art in this area. She
Artist: Karimi Nazila Artist Biography , Nazila Karimi, From Iran, Tehran Nazila Karimi is a graduate in Architecture and Art Research , who works in the field of digital arts. Moreover, she researches, translates and writes books and articles, as well as creates video art in this area. Karimi has a history
Contemporary art and modern art media can be extensively discussed and vice versa! This art is inherently evolving...
The purpose of this article is to explain the concept of "accident" in visual glitch art and to examine the methodological use ...
Glitch art is the use of digital or analog errors for cosmetic purposes by corrupting digital data or physical manipulation...
